Moto Continuo

2026-01-24    7 minute read

Some of my favorite pieces and passages to play are ones that go through a ton of equal-length notes. According to this answer on Stack Exchange (which cites a wikipedia page, which in turn cites the Harvard Dictonary of Music), this type of piece is called a "perpetuum mobile". I think the italian term "moto perpetuo" sounds nicer, and it seems like the term originated from a Paganini piece by the same name.

From the Harvard Dictionary of Music:

Perpetuum mobile [L., perpetual motion]. A term used by Paganini (op.11), Weber (last movement of Piano Sonata op.19), and others to denote pieces which proceed from the beginning to the end in the same rapid motion, e.g., 16th-notes in presto. Pieces of this type, although not labeled thus, occur also in Chopin's etudes.

Interestingly, though the Harvard Dictionary source only uses this term in the context of a full piece, the Wikipedia page explicitly says it also applies to "figurations" and "passages" without providing an additional source. To distinguish between the Harvard definition and the Wikpedia, my proposal is to use the term "moto continuo" (continuous motion) to refer to specific parts and passages of a larger non-moto-perpetuo piece.

I think the main reason I like these types of runs is because they can serve as a benchmark for both player skill and instrument playability. Of course, they do so in a limited fashion (some instruments are "playable" in ways that would not necessarily make them good for these types of figurations), but I have found these pieces to be very good for comparing different layouts and spacings of keys for my HXCSTR project. As a bonus, many of these pieces are easier to play on the HXCSTR than they are on their original instruments. In some cases, like Solfeggietto, a piece that would require two hands on the piano is practical to play with one hand on the HXCSTR.

Here's a list of some of my favorite examples of moto perpetuo:

yearcomposerpiecenote countsection
1691Henry PurcellKing Arthur, or The British Worthy (Z. 628), Act 3, no. 20 "What Power art thou" (score)281entire number (a few breaks in the vocal line, but the accompaniment holds a solid 16th note pulse)
~1720J.S. BachCello Suite No.1 in G Major, BWV 1007, I. Prelude (score)657entire piece
~1720J.S. BachPrelude in C minor, BWV 999649entire piece
1722J.S. BachPrelude in C Major, BWV 846 (recording)545 (lots of duplicate phrases)entire piece
~1722J.S. BachFrench Suite No.3 in B Minor, BWV 814, IV. Menuett - Trio216* (6 missed beats, 2 non-grid notes)mm. 1-16
1766C.P.E. BachSolfeggietto (score)537entire piece
1827Franz SchubertImpromptu No. 2 in E♭ major (score)721right hand, mm. 1-80
1833Frédéric ChopinEtude Op.10 No.5 (score)984?right hand
1835Niccolò PaganiniMoto Perpetuo Op.11 (score)2289* (very rough count)entire piece
1851Franz LizstLa Campanella189right hand, mm. 5-12
1890Claude DebussyArabesque No.160mm. 1-5
1899Николай Римский‐Корсаков (Nikolai Rimsky-Korsakov)Flight of the Bumblebeevarious
1922Camille Saint-SaënsHémiones (score)361entire piece
1972Николaй Кaпустин (Nikolai Kapustin)Piano Concerto No.2, Op.14, Mvt.3192 (4 missed beats)mm. 23-34
1987David WiseWizards & Warriors Title Screen269entire piece
2001峰岸透 (Toru Minegishi)Gamecube startup25lead mallet instrument
2001Daft PunkAerodynamic128*electric guitar, 1:03-2:21
2010GaldeiraAlmagestvarious, esp piano at 1:02-1:35
2013Akira ComplexHelios128*lead synth 0:29-1:22 (does swing count?)
2013Porter RobinsonMy Nostalgia is a Curse128*lead synth, 2:30-2:44, 3:53-4:14
2014Porter RobinsonShepherdess256*lead synth, 1:47-2:46
2016ZaylienVOiDS186lead synth, 1:30-1:54
2016水谷広実 (Hiromi Mizutani)妄想日記violin, 0:00-0:58
2018Akira Complex & N²Boot Sequence256*synth, 0:15-0:39, 1:10-1:58, 2:05-3:36
2019HaywyreWith You32*lead synth, 1:36-1:55
2020Porter RobinsonSomething Comforting64sampled pluck, 0:00-1:07
2020Nahre SolLittle Fishy Upstream Swimmingpiano, majority of the piece
2022PolyphiaPlaying God210lead guitar, 2:41-3:02
2022ReeKSuper Sex Delivery 2 - Enter the Cum Zone128*lead synth, 4:22-5:09
2022StreetVerrat32*, 112lead piano, 0:00-0:40
2022telemistHYPERTRANCE / TELEMIST REMIX128*lead synth, 3:11-3:54, 4:37-5:20
2023ミツキヨ (Mitsukiyo)Unwelcome School195 (13 missed beats)piano solo, 1:15-1:31
2024justan ovalshrimp miku32*voice, 0:00-0:24

*: not counting repetitions

TODO

add to table

  • TODO: find other cc recordings of classical pieces
  • bach violin partita no1 in b minor bwv 1002 mvt.2
  • https://crosseyedpianist.com/2012/07/14/perpetuum-mobile/
    • debussy images book 1 mouvement
    • Francis Poulenc - Trois Mouvements Perpétuels
  • surely something exists by vivaldi
  • toccata and fugue (especially the fugue)
  • lots of things by xi and dj taka
    • glorious crown
    • quaver
  • katekyo hitman ost - leader of the discipline committee
  • au5 fractal smoke
  • https://soundcloud.com/ariiol/media-offline @2:01
  • dynamite pia no jac